Part 2 of our interview with Kat and Maggie is here! We pick up where we left off last time - with the significance of inclusion in Improvised productions. Kat and Maggie's Audio Only scene is the best! Also, Synergy Theater is back at the Lesher Center. We introduce Synergy's new initiative, Theater Smarts, and tell you how you can help bring young students to live theater. And if that weren't enough, the second half of this episode honors the previous 10 (or 11, if you count the bonus) episodes. We count back through our amazing first season of Improv in Practice. Thank you, thank you - to our incredible guests and audience.
Yvonne Conybeare is a director and actor and lives in New York. Robin Wiggs is a writer and improv performer and lives in London. I met them in our Improv IV class online, and I knew I had to interview them together. Yvonne and Kenn Adams, director of synergy theater, are old friends, and so we talk about Theater Sports New York, and the origin of Kenn's Play by Play. Yvonne has insights on how our defensiveness affects our improvisation and how to overcome it. Robin joins the interview a bit later and we talk about improv in London and how Robin prepares for performances. Make sure that you listen all the way through the show for something a little different at the end. Robin's Links: "Moidercats", Cariad Lloyd Yvonne's Links: conybeare.net, Thinking, Fast and Slow ...
In this long-overdue episode, Kat, Maggie, and I discuss how Kat became a highly-successful Improv practioner and owner of an Improv theater house with a colorful past. Maggie describes what its like to be loved and snubbed by her favorite Improv partner - her cat. This episode, with all its unexpected and unintended moments, was so good that I had to make it a two-parter! Please enjoy! For your reference: Deifinition of a "preist hole" Maggie from Cat on a Hot Tin Roof Improv College of Montreal The Mopco Improv Theatre koppett.com More links and contact info to follow in Part 2! ...
What is it about villains that we like so much? How do we overcome the instinct to deny our guilt and plead our case when being painted as a villain in a scene? What role does status play in the hero-villain relationship? These are the themes that Arastoo Darkashan, Reggie Harris, and I have fun discussing. Arastoo is a regular performer with Synergy Theater, and also pursues acting, writing, and music. Reggie uses what he learns in Synergy Theater classes in his professional voiceover work. Reggie's company, Better Together, offers coaching on how to use improv principles in on-the-job settings. The truth is, every good dramatic story needs a villain. Get in touch with your dark side, in service to the story, with Reggie and Arastoo! ...
